Wow, this site moves too fast and the pages fly by. I had to go back 4 pages to find this thread. And, I put off reading the interview for more than a month. My loss, but I'm glad I skipped the boring NFL today and finally got a round tuit.
Mr. Engh has given a great interview, and even the questions were very good, Ran.
I felt like this was one of the best interviews to reveal the architects development of a core ideal. Does anyone get a sense that Mr. Engh and Mr. Strantz have some sort of shared big canvas vision in creating their art? I don't know the nature of the relationship between Forrest Fezler and Jim Engh, but I'm guessing there are some shared visions that Forrest and Mike developed, and possibly being comparable to the place where Jim Engh has arrived.
I regrettably haven't yet played any of Engh's work. I'll really make it a point to seek out an opportunity to do so next time I can get west.
Engh is obviously a man with a strong path of growth and learning, as he has been at his profession for a significant amount of time and has worked in various capacities within the overall profession. He really seems like a man that embraces the possiblity to evolve and I'm sure the golfing public will benefit greatly from a man that might be more likely than most to come up with something "new" in golf course design. I think he may run the risk to lay a few more eggs than most because he appears to be a risk taker. But, while he says he would rather see less than his most brilliant work evolve on its own, for its own sake and trust the forces of time and maintenance approaches, I do also feel that if he went out on a limb on a particular hole concept - that a revisit and rework of some aspect isn't or shouldn't be out of the question. In that regard, I think of the Mike Strantz design at Tobacco Road, and the very early reworking of the approach mound at hole #15. It seems Jim also has some similar blind or semi blind approaches into shallow or shallow angled greens that he has "experimented with". I'm not sure if the jury has spoken on those yet, and I surely can't having not played them. But, I can't help but recall visions of Strantz work that I have seen and played, upon seeing photos of some of Engh's work. Not the proper way to compare, but that is all I have to work with at this time.
Great interview, thanks to Engh and Ran.