Tom Doak said:
"the inherent purpose of its existence -- to play golf on it given the golf and architectural sensibilities of the current times."
Tom Paul: I clipped this out of your post above because it is the crux of this argument that never seems to end.
If you extend your statement too far, one could argue that every course needs updating to current times. I'm sure you understand that would be even more tragic than leaving some of them alone.
My view is that NOT EVERY GOLF COURSE needs to be updated to current times and especially to current "architectural sensibilities", that is precisely how we've lost a bunch of great work.”
TomD:
When I said that, what I was pointing out is that Tom MacWood’s recommendation that SPAB’s credo and manifesto (part of the theme of his entire Arts and Crafts essay of how Morris/Hutchinson/A&C primarily influenced "Golden Age" golf architecture) somehow applies to golf course architecture is inherently contradictory. And not just that, it appears he does not appreciate or even understand what the Wm Morris SPAB manifesto clearly and actually said.
Read what it in part says;
“In early times this kind of forgery was impossible, because knowledge failed the builders, or perhaps because instinct held them back. If repairs were needed, if ambition or piety pricked on to change, that change was of necessity wrought in the unmistakable fashion of the time; a church of the eleventh century might be added to or altered in the twelfth, thirteenth, fourteenth, fifteenth, sixteenth, or even the seventeenth or eighteenth centuries; but every change, whatever history it destroyed, left history in the gap, and was alive with the spirit of the deeds done midst its fashioning. The result of all this was often a building in which the many changes, though harsh and visible enough, were, by their very contrast, interesting and instructive and could by no possibility mislead.”
What does that say? What does it mean when it mentions ‘that change was of necessity wrought on the unmistakable fashion of the time; a church of the eleventh century might be added to or altered in the twelfth, thirteenth, fourteenth, fifteenth, sixteenth of even seventeenth or eighteenth centuries…”?
The manifesto of Morris and SPAB goes on to say by these very contrasts, interesting and instructive as they are could not possibly mislead.
Is this not advocacy for waves and waves through the eras of juxtaposed redesigns within a single entity-----eg a building or cathedral or a golf course?
Is that not completely similar or even synonymous to what I just said about the current sensibilities of golf and architecture of the current time--or any time?
I’m talking here only about MacWood’s constant analogy to SPAB’s ideas, credos and manifestos and how they should be applied to golf course architecture, nothing more.
If the guy would just finally come to recognize and admit to the fallacies of the analogies he’s been using on here, then, and only then can we get on to a discussion of the way some architecture probably really should be treated in the future.