I had my father read the thread (the first 10 or so posts), and he had this reply, which I found an interesting response:
"Bottom line, if the architect had more room to sculpt a finisher to the first nine, would he have designed this 9th? Maybe, maybe not (such lack of flow and cohesion is one of the things I don't like about Strantz). All designers have to make compromises if the land mass isn't endless. But Van Gogh wouldn't put an eyeball where a full head should be. It would look weird. Dali, on the other hand, would put the eyeball anywhere he damn well chose, and his fans would call it art. That is the difference between, say, Donald (Ross) van Gogh and Mike Dali. It's a matter of taste, and my taste says that any time you are able to hit wedge to a par three, the penalty for a miss should be a more severe than just sand traps."
I disagree with my father as to the "lack of flow and cohesion" in Strantz' work. The progressions of holes on any Strantz courses never seem jerky to me. I did find the van Gogh-Dali comparison interesting, though. I do believe Strantz's holes are a bit of Surrealism brought to the golf course, but apart from the fact that #9 is awkwardly routed, is it a random eyeball as it relates to the rest of the holes? I don't believe so, because the hole still fits the character of the course.