Mike and Forrest, don't you find it a bit disconcerting to play a course which gives the impression that maybe three or four different shapers split up the 18 holes and there was no cohesive feeling to the course? I don't care if the objective was simplicity, or flashed up bunkers, or close to the ground, or what, if three or four groups of holes are at odds.
I'll give you the best example I can think of: The Ocean Course at Olympic in San Francisco. That course really does look like Tom Weiskopf turned three or four shapers loose with no comprehensive plan. The result is, to me, choppy and awkward. Too bad.