Ben:
I think Whistling Straits shows Dye's genius more than any of his other work because nothing, absolutely nothing was there.
I have said before, that I think Tom Fazio's Shadow Creek is his best work. He set the bar on creating something out of nothingness.
Pete's did at WS things I've never seen or expected before. He produced blown out bunkers for scenery that pull the whole site together. Not just a few, but hundreds of them.
The variety of bunkering, when taken as a whole, is beyond my grasp. And it works.
I couldn't tell what was man made because everything looked like it was there for hundreds of years.
My 2 critisims of the course are the big ass hump in front of 17, and the drive on 18, neither of which seem correct.
But both Shadow Creek and Whistling Straits raised the architecture bar for all of golf. With an unlimited budget, a nothingness site can be turned into a great golf course.
I think it dramatically helped architects explain to clients what they can do and gives the arch today more freedom than before. I think it raises the confidence of arch's today.
Now I don't think the whole body of Pete Dye's work is without major flaws. Too much hard edged work, too many overly penal holes, but he pushed the envelope for others to follow.
I have read recently some quotes by Pete Dye that he can't believe that he designed some of the stuff he did in the past.
I think that shows a lot of humility and maturity, and a desire to go back and fix some of the extremes.
I think Dye made the first real important contribution to golf arch since the era way before him, when all the greats did their work that we all talk about of this site so much.
While RTJones was the main man when Pete started, other than Spyglass, I can't think of any of his other work that stands out.