Tom, I had the same impression of Tobacco Road, there were some extreme slopes, but the more gentle shapes were long, broad slopes with no broken relief, which is fine to some extent, but to me it seemed liked a programmed response rather than a spontanious action that can make some interesting movements on a putting surface.
Sometime ago I received a form letter from Whitten asking me to respond to a series of questions regarding the impact of Fazio on the world of architecture. Has that been published?
I may be on the wrong thread but I thought on this one or another Fazio thread JakaB asked for proof that many of the Fazio courses have repetative features, and he asked for proof. I have had similar discussions regarding this issue with a couple of shapers, and that type of process, the replication of holes and features from project to project was alleged. Is this a worthy issue for critical analysis, and if so is there a golf publication that would undertake this type of investigative work. Why are these questions being asked in this forum, but never do you see any investigative pieces on these types of issues in the golf magazines? I mean, there are some serious critical publications for other fields of art and design, but none for golf architecture.
O/T but just for some relief, I have never liked Bob Dylan. I bought Blonde on Blonde to give him a chance, and shelved it for sometime. For what ever reason the past two weeks it has been the only thing on my disc player (other than Sticky Fingers, which is so good). The album, and Dylan have really captured my imagination. Was I so wrong for so many years, or have my tastes in music diminished? Besides this album, what are some of his very best albums, I may have to continue this indulgance because Blonde on Blonde is damn good!!!