Gentlemen,
Evidently, Professor Whitten found my "How would you improve Rustic Canyon" thread a bit presumptuous. Being an enormous fan of the golf course notwithstanding, I found it to be an interesting exercise - even if the dean of architecture critics took bemused issue with it.
So, having queried the Treehouse on how we might improve the appearance of a cult favorite, I have mustered up the temerity to initiate a critique of golf's Nicole Kidman.
Augusta provides great drama, but given my penchant for heresy, I would like to state that The Masters would be (read: even more) exciting if the holes were jiggered around on the back nine.
Of course, this is not possible given the land, so this theoretical discussion assumes an autocratic club chairman and a magic wand.
For starters, the concept of #12 and #16 being switched sounds like an improvement.
#12 at Augusta and #17 at TPC Sawgrass are the same hole, except in the penultimate spot, the TPC hole builds the tension all the more.
#17 & #18 at Augusta are not TRULY compelling from a design standpoint. I say they are the two LEAST INTERESTING holes on the back nine from the perspective of the viewer.
#17 has strong and interesting putting surface contours, but #18 is just an uphill tee shot through a ridiculous chute. Except for the double-tiered putting surface, the green complex is not any more creative or unique than something Ted Robinson would conjure up.
#16 is an excellent Jones Sr. par-3, but it does not provide the pucker factor and wild drama of #11, #12, #13, #15.
Heck, I would replace the finishing hole with either #14 (wild green) or #11 without the slightest reservation. The *cadence* of the course from a tournament and spectator standpoint would be drastically improved.
The Green Jackets expend enormous effort trying to jazz up their best holes, yet except for lengthened tees and a bunch of tree plantings, I do not see how either of the two finishing holes are not a letdown when compared to what came before them
It reminds me a bit of the Dunluce (Portrush for ye neophytes), where you have 16 wonderous architectural statements, followed by an enormous blow-out bunker at #17 that does not come into play and a mediocre finishing hole - whether scored as a par-5 or par-4.
IMNSHO, they ought to ditch the silly rough at Augusta, lose most of those trees, forget about the concept of (protecting par) and give DeVries, Doak or especially Pete Dye free rein on the last two holes.
The golf course represents an eclectic collection of ideas over decades from different architects. Nothing there is sacrosanct, so my vote is to rectify the weaknesses at Augusta . . . .